Revelation Chapter 15 introduction
With the seven seals there was an interlude between
the sixth and seventh seal so that the church could be sealed in preparation
for the seven trumpets. We have also seen that the seven trumpets, which
resemble the plagues upon Egypt,
were sent to warn mankind and to call mankind to repentance. We also saw that
between the sixth and seventh, and final, trumpet the two witnesses,
representing the church, also calling mankind to repentance. Here at the start
of the seven bowls of God’s wrath we see a picture of the redeemed in heaven
who had been victorious over the beast, and his image and over the number of
his name. They sing the song of Moses that the Israelites sang after they
crossed the Red Sea, the song of Moses
indicating their exodus from the world and the destruction of their enemies.
This victory over the Egyptians was a foreshadowing of the victory of all God’s
redeemed over the beast, his image, his number (Hendriksen). There then comes
the seven bowls of God’s wrath which can be likened to the Red sea that drowned
the Egyptians who followed the Israelites into the Red sea
(Caird). This can also be likened to the lake of blood formed from the great
winepress of God’s wrath of the previous chapter (Caird). There is no interval
between the sixth and seventh bowl as there was between the sixth and seventh
trumpet, which was included so that the church can witness to the world in a
last call to repentance. There is no such interval with the bowls because the
time for repentance is past, instead the scene moved inexorably from the first
to the final bowl as they are poured out one by one. The trumpets warn; bowls
are poured out (Hendriksen).
This section on the seven bowls could be seen as a
more detailed view of the winepress of God’s wrath found in Rev 14:19-20, which
is clearly connected to Christ's coming and the harvest of the age. In 14:19 we
find the expression 'winepress of God’s wrath' and in 15:1 the seven last
plagues are said to complete God’s wrath. In 14:20 we find a vast lake or sea
of blood for a distance of 1,600 stadia, in the second bowl we find that the
sea is turned into blood like that of a dead man (Rev 16:3). If the seven bowls
are a more detailed description of the winepress of God’s wrath then the seven
bowls occur during the time of great distress just before Christ's Second
Coming, note the sudden reference to His second coming during bowl six. Notice
that in Rev 19:15, which deals with the Second Coming, Christ is described as
the one who treads the winepress of the fury of the wrath of God Almighty
(19:15). One can also see in this passage a more detailed view of the wrath of
God and of the Lamb first mentioned in Rev 6:16-17. Against this view is fact
that the day of the Lord will bring swift destruction upon mankind, Zep 1:18,
there does not seem time for the seven bowls and the Lord only appears during
the sixth bowl. Unless the seven bowls are included in the time of great
distress just before the end indicated by Luke 21:25-28, Mat 24:21-30, Mark
13:14-27.
The seven bowls can be seen as God’s response to the
beasts of chapter 13 and the persecution of God’s people. The bowls are
directed at:
(i) The people who had the mark of the beast and
worshipped his image (16:2);
(ii) Those who had shed the blood of the saints and
prophets (16:6);
(iii) The throne of the beast and his kingdom (16:10);
(iv) The air where Satan has his dwelling (16:17).
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